Submitted by RaoulDuke on Tue, 20/11/2007 - 16:53.
Creative nonfiction is actually one of the fastest growing genres of writing today in terms of writers and readers – think of all those memoirs and biographies for instance, they’re classed as creative nonfiction. Add essays, articles, memoir, narrative history and literary journalism and you are getting a sense of the genre. My PhD is in the area, so this is a subject I’m obsessed with! Creative nonfiction offers non-fiction writers fresh and exciting ways of writing, researching and thinking about non-fiction as a genre, utilising the techniques and forms more usually thought of as belonging to fiction writing, but still dealing with the factual data as non-fiction. This means that factual/actual elements – names, dates, places, descriptions and quotations – may not be created or altered, but an author can utilise literary devices (such as description, dialogue and the creation of a series of scenes) to narrate these facts in a way that is attractive to readers.
Submitted by RaoulDuke on Tue, 20/11/2007 - 16:55.
I like Lee Gutkind most as he is so passionate about the form. He’s the so called ‘guru’ or ‘godfather’ of the genre. He writes that “Creative nonfiction … is not a genre like fiction and poetry. It is a literary, cultural and political movement. The creative nonfiction writer is poised to present reality in such a way that it cannot be avoided. It is provocative and has teeth because it is true, and because it is true it can change lives and shape opinion”. Also look up Cheney, Steinberg and Root, Annie Dillard. If you google creative nonfiction you’ll be overwhelmed!
Submitted by RaoulDuke on Tue, 20/11/2007 - 16:58.
Although, of course, no author can ever completely represent the intricate complexity of reality in writing, readers expect writers of non-fiction to nevertheless strive for the highest levels of verifiable accuracy in their work. Certainly, I believe that consumers of works classified as non-fiction, while not naïvely believing everything in these texts, read such works with an understanding that they will contain reliable – that is, trustworthy – information. These readers trust non-fiction writers not to manufacture or alter the truth as those writers understand it, just as these readers trust reputable publishing houses to commission, edit and publish material that is worthy of bearing the non-fiction label. In this context, it is true that creative nonfiction has become a primary locus for debate about the authenticity of literature of all kinds, as well as a focus for what seems to be a general critical anxiety that seemingly often prompts these discussions. Moreover, as each exposé of the latest literary scandal leaks from the book pages of the broadsheet press into public consciousness, creative nonfiction writers is increasingly often held ‘responsible’ for such scandal-producing texts. This is because, such accusations claim, the genre creates a shadowy and even purposefully deceitful literary space where the core principles of non-fiction writing (such as truth-telling and exhaustive research) are complexly and impossibly compromised. Yet, when analysed, the majority of literary scandals, as well as those that provoke the most outrage, involve the exposure of either (or both) of the following simple contraventions of readers’ expectations of truthfulness and reliability: some deliberate fabrication or falsehood in an ostensibly non-fiction work and/or the blatant misrepresentation of his or her authenticating identity by its author. Put simply, once the author begins to make things up and represent them as facts, the work is fiction, not creative nonfiction.
Submitted by ritub.pant8 on Mon, 15/12/2008 - 16:34.
What is Creative Non-Fiction? Hard
to say because. the essay, one of the dominant literary forms of our
culture, seems to elude definition. Usually we define it in terms of
what it isn't. It isn't "fiction." At least, probably not. (We will
tinker with this conundrum throughout the semester.) Most of all,
Creative Non-Fiction is creative. A given idea might surface through
allegory, irony, straightforward reportage, dense analysis, or some
combination of the above, but its effect will vary with the writer's
skill, inventiveness, and taste.
There are some excellent articles and, indeed, an entire special issue on the topic of creative nonfiction in TEXT journal at http://www.textjournal.com.au/
Anything by Lee Gutkind is worth reading, but I especially like his books about heart transplants and the work of vets.
Submitted by cdboy (not verified) on Thu, 12/03/2009 - 21:21.
Yet, when analysed, the majority of literary scandals, as well as those
that provoke the most outrage, involve the exposure of either (or both)
of the following simple contraventions of readers’ expectations of
truthfulness and reliability..
Matthew Ricketson (UTS journalism lecturer/PhD student) made some interesting points about defining the genre variously known as creative nonfiction/literary nonfiction/narrative nonfiction at a 2009 Sydney Writers Festival session called "Fact and Fiction - Navigating the Borderlands." He mentioned a critic's response to Truman Capote's claim to have written the world's first 'nonfiction novel' - the critic called this 'an oxymoronic phrase and a moronic idea'.
Another quote concerned the way the genre is often defined as one that uses fictional techniques on facts. Ricketson cited Tracy Kidder (who wrote The Soul of a New Machine) to argue that these techniques don't belong to fiction - they belong to storytelling. Ricketson says its preferable to think of yourself as drawing on a range of tools that do not just belong to novels. Feature articles, columns, editorials can all use narrative approaches - there is more to journalism than just the hard news, inverted triangle approach, he said.
Is anyone else working in this genre for their PhD? What topic are you researching/writing on?
Mine is people's experiences of caring for a family member who is dying at home.
Submitted by gilchrist on Fri, 19/06/2009 - 20:33.
The literary, cultural and political movement. The creative nonfiction writer is poised to present reality in such a way that it cannot be avoided. Regards, online games
Creative nonfiction is
Creative nonfiction is actually one of the fastest growing genres of writing today in terms of writers and readers – think of all those memoirs and biographies for instance, they’re classed as creative nonfiction. Add essays, articles, memoir, narrative history and literary journalism and you are getting a sense of the genre. My PhD is in the area, so this is a subject I’m obsessed with! Creative nonfiction offers non-fiction writers fresh and exciting ways of writing, researching and thinking about non-fiction as a genre, utilising the techniques and forms more usually thought of as belonging to fiction writing, but still dealing with the factual data as non-fiction. This means that factual/actual elements – names, dates, places, descriptions and quotations – may not be created or altered, but an author can utilise literary devices (such as description, dialogue and the creation of a series of scenes) to narrate these facts in a way that is attractive to readers.
Who can I read to find out
Who can I read to find out more about the creative nonfiction?
I like Lee Gutkind most as
I like Lee Gutkind most as he is so passionate about the form. He’s the so called ‘guru’ or ‘godfather’ of the genre. He writes that “Creative nonfiction … is not a genre like fiction and poetry. It is a literary, cultural and political movement. The creative nonfiction writer is poised to present reality in such a way that it cannot be avoided. It is provocative and has teeth because it is true, and because it is true it can change lives and shape opinion”. Also look up Cheney, Steinberg and Root, Annie Dillard. If you google creative nonfiction you’ll be overwhelmed!
There’s been some scandals
There’s been some scandals about creative nonfiction though, hasn’t there. What about James Frey making up his ‘memoir’?
Although, of course, no
Although, of course, no author can ever completely represent the intricate complexity of reality in writing, readers expect writers of non-fiction to nevertheless strive for the highest levels of verifiable accuracy in their work. Certainly, I believe that consumers of works classified as non-fiction, while not naïvely believing everything in these texts, read such works with an understanding that they will contain reliable – that is, trustworthy – information. These readers trust non-fiction writers not to manufacture or alter the truth as those writers understand it, just as these readers trust reputable publishing houses to commission, edit and publish material that is worthy of bearing the non-fiction label. In this context, it is true that creative nonfiction has become a primary locus for debate about the authenticity of literature of all kinds, as well as a focus for what seems to be a general critical anxiety that seemingly often prompts these discussions. Moreover, as each exposé of the latest literary scandal leaks from the book pages of the broadsheet press into public consciousness, creative nonfiction writers is increasingly often held ‘responsible’ for such scandal-producing texts. This is because, such accusations claim, the genre creates a shadowy and even purposefully deceitful literary space where the core principles of non-fiction writing (such as truth-telling and exhaustive research) are complexly and impossibly compromised. Yet, when analysed, the majority of literary scandals, as well as those that provoke the most outrage, involve the exposure of either (or both) of the following simple contraventions of readers’ expectations of truthfulness and reliability: some deliberate fabrication or falsehood in an ostensibly non-fiction work and/or the blatant misrepresentation of his or her authenticating identity by its author. Put simply, once the author begins to make things up and represent them as facts, the work is fiction, not creative nonfiction.
Creative Non-Fiction Writing
What is Creative Non-Fiction? Hard
to say because. the essay, one of the dominant literary forms of our
culture, seems to elude definition. Usually we define it in terms of
what it isn't. It isn't "fiction." At least, probably not. (We will
tinker with this conundrum throughout the semester.) Most of all,
Creative Non-Fiction is creative. A given idea might surface through
allegory, irony, straightforward reportage, dense analysis, or some
combination of the above, but its effect will vary with the writer's
skill, inventiveness, and taste.
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Creative Nonfiction
There are some excellent articles and, indeed, an entire special issue on the topic of creative nonfiction in TEXT journal at http://www.textjournal.com.au/
Anything by Lee Gutkind is worth reading, but I especially like his books about heart transplants and the work of vets.
Yet, when analysed, the
Yet, when analysed, the majority of literary scandals, as well as those
that provoke the most outrage, involve the exposure of either (or both)
of the following simple contraventions of readers’ expectations of
truthfulness and reliability..
regards,
Jeff- online games
wow two contradicting words
wow two contradicting words brought together to form a group . Creative nonfiction , can fiction be non creative ...hehe
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defining creative nonfiction
Matthew Ricketson (UTS journalism lecturer/PhD student) made some interesting points about defining the genre variously known as creative nonfiction/literary nonfiction/narrative nonfiction at a 2009 Sydney Writers Festival session called "Fact and Fiction - Navigating the Borderlands." He mentioned a critic's response to Truman Capote's claim to have written the world's first 'nonfiction novel' - the critic called this 'an oxymoronic phrase and a moronic idea'.
Another quote concerned the way the genre is often defined as one that uses fictional techniques on facts. Ricketson cited Tracy Kidder (who wrote The Soul of a New Machine) to argue that these techniques don't belong to fiction - they belong to storytelling. Ricketson says its preferable to think of yourself as drawing on a range of tools that do not just belong to novels. Feature articles, columns, editorials can all use narrative approaches - there is more to journalism than just the hard news, inverted triangle approach, he said.
Is anyone else working in this genre for their PhD? What topic are you researching/writing on?
Mine is people's experiences of caring for a family member who is dying at home.
The literary, cultural and
The literary, cultural and political movement. The creative nonfiction writer is poised to present reality in such a way that it cannot be avoided. Regards, online games